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Richmond Barthe : ウィキペディア英語版
Richmond Barthé

James Richmond Barthé, also known as Richmond Barthé (January 28, 1901 – March 5, 1989) was an African-American sculptor associated with the Harlem Renaissance. Barthé is best known for his portrayal of black subjects. The focus of his artistic work was portraying the diversity and spirituality of man. Barthé once said: "All my life I have been interested in trying to capture the spiritual quality I see and feel in people, and I feel that the human figure as God made it, is the best means of expressing this spirit in man."〔Adams (1978)〕
==Early life==
Richmond Barthé was born in Bay St. Louis, Mississippi. He was the first and only child of Richmond Barthé Sr. and Marie Clementine Robateau. Barthé’s father died at age 22, when he was only few months old, leaving his mother to raise him alone. She worked as a dressmaker and before Barthé began elementary school she remarried to William Franklin, with whom she eventually had five additional children.〔Lewis (2009)〕
Barthé showed a passion and skill for drawing from an early age. His mother was, in many ways, instrumental in his decision to pursue art as a vocation. Barthé once said:
"When I was crawling on the floor, my mother gave me paper and pencil to play with. It kept me quiet while she did her errands. At six years old I started painting. A lady my mother sewed for gave me a set of watercolors. By that time, I could draw very well."〔Bearden, Henderson (1993)〕
Barthé continued making drawings throughout his childhood and adolescence, under the encouragement of his teachers. His fourth grade teacher, Inez Labat, from the Bay St. Louis Public School, influenced his aesthetic development by encouraging his artistic growth. When he was only twelve years old, Barthé exhibited his work at the Bay St. Louis Country Fair.〔Vendryes (2008), 14〕
However, young Barthé was beset with health problems, and after an attack of typhoid fever at age fourteen, he withdrew from school.〔Vendryes (2008), 14.〕 Following this, he worked as a houseboy and handyman, but still spent his free time drawing. A wealthy family, the Ponds, who spent summers at Bay St. Louis, invited Barthé to work for them as a houseboy in New Orleans, Louisiana. Through his employment with the Ponds, Barthé broadened his cultural horizons and knowledge of art, and was introduced to Lyle Saxon, a local writer for the Times Picayune. Saxon was fighting against the racist system of school segregation, tried unsuccessfully to get Barthé registered in an art school in New Orleans.〔Vendryes (2008), 19〕
In 1924 Barthé donated his first oil painting to a local Catholic church to be auctioned at a church fundraiser. Impressed by his talent, Reverend Harry F. Kane encouraged Barthé to pursue his artistic career and raised money for him to undertake studies in fine art. At age twenty-three, with less than a high school education and no formal training in art, Barthé was admitted to the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago, but opted for the latter.〔Vendryes (2008), 22.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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